I keep it on my main vocal bus, mainly to carve out the 100, 200, and 300 Hz areas and also add a bit of air at 10 kHz. UAD’s Pultec EQP-1A is absolutely incredible on vocals. At the risk of sounding cliche, the LA-2A does add an analog warmth to vocals that sounds incredible. Its controls are simple: a Peak Reduction knob to control gain reduction and a Gain Control knob to add make-up gain. I keep both an 1176 and a 2A (plugins) on my vocal bus, with the latter applying just a bit of glue and tube character at the end of the chain. UAD LA-2Aįor a cool opt sound, you can’t go wrong with an LA-2A. The all-buttons-in mode can be really cool for some parallel compression too! 2.
It’s definitely not transparent, but its character adds a ton of mojo to your vocals. The 1176 also has a desirable sonic character, making it a go-to for many of the best mixers in the world. It’s super fast, capable of taming the sharpest transients in the source material. When it’s time to reach for one of the best vocal plugins, go for an 1176. RELATED: Best Open And Closed Back Studio Headphones in 2023.RELATED: Best Ways to Make Money in Music.
It’s tremendous on vocals, whether you’re using the real thing or one of many plugin emulations. One of the most famous and widely used FET limiting amplifiers of all time. Video can’t be loaded because JavaScript is disabled: 5 Grammy Winning Vocal Mixing Tricks – Warren Huart: Produce Like A Pro () 1.
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